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has several in-depth tutorials showing how to overcome Premiere conforming issues in Resolve, but be aware this is a pay site. I think Resolve can do about 97% of these, but there are a couple that may have to be exported from Premiere if you want a 100% precise match. Resolve can use this as to confirm that the conform is good.Ħ) wipes, composites, and titles are not well supported and will most likely will have to be manually adjusted during the conforming process. I would then export a single audio file from Premiere (stereo or 5.1 or mono or whatever the final is) and import that WAV file into Resolve.ĥ) export a Reference Video from Premiere, just a light-duty file like QTLT 422, with burned in timeline timecode and (if possible) the original clip name and original clip timecode for every shot. Also avoid merged audio/video clips and separate them back out into the original video files for final color.Ĥ) I would avoid audio entirely in the initial conform and just worry about conforming the video portion in Resolve. Once the reels are color-timed, you can easily output one complete segment from Resolve using nested timelines.ģ) I can't remember if Premiere has multicam clips, but if so, commit them to the original files and not as a multicam. whatever.ģ) if the project is a long one (like a 2-hour feature or a 1-hour episodic television show), I would break it down to smaller chunks like 20-minute segments, similar to 'reels' in the film days.

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Constant speed changes can work to a point but will most likely need manual adjustment because of differences in interpretation to Nearest Frame vs. Definitely worth watching.ġ) flatten the timeline to a minimum number of video tracks (preferably no more than 2)Ģ) be aware that clip retiming may not translate precisely, particularly speed ramps.

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has a useful series of videos on how to get an efficient conform between Premiere Pro and Resolve. If the media is from consumer cams where the timecode for every clip starts at 00:00:00:00, be prepared for a lot of manual conforming of clip timecode conflicts. There will be a dialogue box that pops up allowing you to choose the folder in the Resolve media pool where you previously added the managed media. When importing the XML, uncheck 'set project settings' and uncheck 'import media'. Import the managed media BEFORE importing the XML (though in rare cases doing it the other way round works better, no one knows why) Set the Resolve project settings to the correct sequence frame rate BEFORE importing anything Export your XML from the new media managed sequence Media manage into a single folder only the clips in the Premiere sequence that you want to move to Resolve You'll need to set those clips to that same frame rate in the Resolve media pool later. Make note of any clips where you've changed the frame rate using 'interpret footage' in the Premiere browser. Make sure your stills all use the 'set to frame size' option NOT the 'scale to frame size' option Make sure there are no nested clips, no dynamic links It's still pretty crap, but it's far better than their AAF. Adobe is aware it's a mess and they don't care, so use XML instead. Here are some others that will help you get that sequence out of Premiere cleanly: Those are good and necessary suggestions. Rakesh Malik wrote:In the meantime all I can recommend is to make sure that you don't have any merged clips in your edit, and also that you have only one video track. Titan-X eGPU (tried disable this and conforms still dont work)

My sequence is 90mins, but I've also tried importing 2-3min portions of the sequence and have all the same problems.Ģ013 MacPro, 64GB RAM, Dual D700s, 12-Core I've got lots of problems and no answers. I've been speaking with BMD tech support for a couple weeks now and having to escalate the case.

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Im thinking the problem may be Premiere, but with what? Neither the AAFs or XMLs are working correctly, each have problems if they came into resolve without crashing the software first. Tried using Resolve 12.5.6 and 14b6 without success.

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Has anyone successfully moved a long form Premiere project into Resolve? I know this is done all the time for grading, but I cannot get an AAF or XML of my project into Resolve without Resolve Crashing, without Audio coming into resolve out of sync (and not only out of sync, but entirely incorrect portions of the audio track), still images such as jpegs appearing in the wrong locations seconds or even minutes later than they should in the sequence, other audio clips appearing offline with a red triangle that Im unable to relink to the original media, but strangely the audio from the clip plays correctly when in the source viewer.